Dating orrefors glass
And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design.The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks.He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era.In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration.Designers, glassblowers, cutters, painters and engravers play their part in this skilled work every day, and each glass from Orrefors is a unique and sophisticated piece of craftsmanship.By the time the finished glass leaves the glassworks, no fewer than 15 different people have contributed to the production process.Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling have helped to propel Orrefors design heritage into the future.
The first letter represents the designer, and the second represents the glass type. Depending on the glass type, a lower number usually indicates an older piece. Although some glass types bear a much higher pattern number, they still date to roughly the same period. Make sure "Orrefors" is engraved on the bottom of the piece. The presence of only one letter — A, E, U or Z — indicates glass type and typically means the piece dates anywhere from 1935 to 1960. The numbers used in the third numbering system range from 1400 to 3832.Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s.Sven Palmqvist with Kraka and Ravenna in the 1940s.The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later.That same year, Gate and Hald made their first tentative attempts at figure engraving.